

This review will be published in the August/September issue of Phil Derby's Electroambient Space, an E-magazine I alwas like to read.
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RenĂ© van der Wouden “Universal Quiet”
(http://www.renevanderwouden.net/, 2008)
5 tracks, 58.46 mins
RenĂ© van der Wouden “Universal Quiet”
(http://www.renevanderwouden.net/, 2008)
5 tracks, 58.46 mins
Universal Quiet features five lengthy tracks firmly rooted in the Berlin school style. Though the titles and cover art suggest soft, possibly even acoustic music, the album explore purely synthetic realms. “In Silence” starts as a nice floater before a bass sequence gets going, joined by male choirs, then a few more synths, and eventually a simple steady beat. Sounds are layered in just right as it goes, quite nice, a strong way to start. “Pin Drop” has a darker moodier sound to start, including what sounds like banging on sheet metal, which is actually cooler than you might think. The longest piece at nearly 18 minutes, it takes quite some time before the first sequencing arrives, a low brisk bass tone that almost growls before settling into more typical Teutonics. A light playful synth solo makes a good counterpoint to the low bass. Warm pads round things out, and van der Wouden rides this cool groove through to the end. Wind-like synths and mellotron flutes introduce “Be Quiet” which is indeed quiet and serene throughout, although soft beats and yet more sequencing keep it moving. This could pass for a Mind Over Matter track. “Go Quiet” seems to be a command rather than a description, as the music is fast paced from the get-go. “Get Quieter” is the final piece, bringing more good synths and sequencing to bear. Berlin school enthusiasts should enjoy this from beginning to end – I know I did.
© 2008 Phil Derby / Electroambient Space
© 2008 Phil Derby / Electroambient Space
